Posts Tagged ‘FILM’

Tarkovsky's The Mirror

Film, Illusion & Spectatorship, Part 5: “I want a thrill a minute…or better yet every 2.5 seconds.”

In Part 1, we discussed how the slickness of Hollywood movies turns audiences off to movies with ambiguous endings. In Part 2, we explored how audiences don’t like it when movies remind them that they are fake. In Part 3, we examined how audiences react when either the acting style or the character depictions fall [...]

Maddin's Brand Upon the Brain

Film, Illusion & Spectatorship, Part 4: Just give me something I already know and already love.

In Part 1, we discussed how the slickness of Hollywood movies turns audiences off to movies with ambiguous endings. In Part 2, we explored how audiences don’t like it when movies remind them that they are fake. In Part 3, we examined how audiences react when either the acting style or the character depictions fall [...]

Waters' Female Trouble

Film, Illusion & Spectatorship, Part 3: Just act normal.

In Part 1, we discussed how the slickness of Hollywood movies turns audiences off to movies with ambiguous endings. In Part 2, we explored how audiences don’t like it when movies remind them that they are fake. Now, in Part 3, we examine how audiences react when either the acting style or the character depictions [...]


Sirk's All That Heaven Allows

Film, Illusion & Spectatorship, Part 2: Take me to a whole new world…but don’t show me how we got there.

In Part 1 we discussed how the typical Hollywood ending turns audiences off to movies with ambiguous endings. Now, in Part 2, we explore why audiences reject movies that remind them that they are, well, fake. The insistence on a certain type of realism, which in Hollywood comes down to slickness, truncates the audience’s imagination. [...]

Chop Shop

Film, Illusion & Spectatorship, Part 1: Tie It Up With a Bow, Please.

Because I teach film in a high school setting, I have access to audiences – young, raw audiences. Every time we watch a film together, I get to monitor the reactions of about 150 people whose tastes have been primarily shaped by slick Hollywood standards. When they watch a movie, they want a blockbuster: they [...]